Key Takeaways for Cannes 2025
- Independent agencies stole the spotlight at Cannes, winning the Grand Prix in several key categories, including Creative B2B, Gaming, and more.
- Despite a plateau in the overall number of entries, 2025 Grand Prix entries from independent agencies grew by 18%, compared to 2024.
- Rather than chasing scale, top-performing independent agencies leaned into category expertise, speed, and outcome-focused storytelling.
- The success of smaller teams will prompt a client-side recalibration around value, agility, and creative results.
The 2025 Cannes Lions International Festival of Creativity didn’t whisper change. It projected an emerging truth across the Croisette: the future of creative advertising no longer belongs exclusively to the industry’s largest players.
It now belongs — audaciously, deliberately — to the nimble independent agencies that are reshaping the industry.
It shouldn’t be too surprising given how submission numbers have shaped up over the last few years.
Overall, the total number of entries has been flat year-over-year, with 2025 only seeing 26,900 award submissions, Cannes reports.
This only represents a 1% increase from the previous year, and a 38% decrease from the all-time high number of 43,101 entries in 2016.
However, the number of entries from independent agencies rose by 18% this year. This comes at a time when morale and perceived job security are stronger at independent agencies than at holding company giants.
When you look like you know what you’re doing, the world takes notice. We feel seen. GoDaddy just won the Cannes Lions Grand Prix in Creative B2B for our integrated campaign! Check it out here: https://t.co/eamMppVrgm#CannesLions2025#CannesLionsAwardspic.twitter.com/cfbqHjvWND
— GoDaddy (@GoDaddy) June 18, 2025
That’s not a small trend. That reflects confidence; the kind of confidence that comes from seeing a new playbook actually work.
And for anyone leading a brand or agency right now, it’s a warning wrapped in inspiration.
Big Indie Wins
Independent agencies showed up in serious categories — B2B, gaming, film, and craft — delivering work that looks good on a reel and moves the needle.
Creative B2B Grand Prix
Winner: GoDaddy | Quality Meats, Chicago
GoDaddy’s Airo-powered brand builder took a playful yet poignant approach, featuring Walton Goggins launching his own novelty glasses. The campaign didn’t just entertain — it drove significant engagement while humanizing GoDaddy’s B2B story.
Entertainment for Gaming Grand Prix
Winner: Gut, Sao Paulo
Leveraging the widespread popularity of Call of Duty’s “Prop Hunt” game mode, the campaign blurred the line between entertainment and commerce with a campaign that transformed live gameplay into a real-time shopping event.
Film Craft Grand Prix
Winner: Bear Meets Eagle On Fire, Sydney
Twenty-six handcrafted stop-motion films celebrated rural Australia’s network stories. Low-budget but high-touch, they reminded viewers that thoughtful craft still matters.
Industry Craft Grand Prix
Winner: Artplan, Sao Paulo
This thoughtfully designed medical manual used 3D art and typography to address racial bias in healthcare education. It proved that craft can be a catalyst for change.
Lions Health and United Nations Grand Prix for Good
Winner: Finch, Sydney | Motion Sickness, Auckland
Their campaign, “Make New Zealand the Best Place in the World to Have Herpes,” tackled stigma with startling honesty and practical calls to action, turning viral content into public awareness.

Print and Publishing Grand Prix
Winner: Serviceplan, Munich
As consumers become more price-conscious, a clever idea of printing prices directly on the packaging of the most popular items transformed everyday print into a socially relevant alert.
The message here isn’t just that smaller agencies are capable of great work. We’ve always known that.
What Cannes 2025 made impossible to ignore is that the work they’re producing is better positioned, more strategically sound, creatively focused, and ultimately more effective.
Yes, large agencies still took home the majority of awards. Their scale, resources, and global reach continue to deliver high-impact work across categories.
But what these wins underscored is that creative effectiveness doesn’t have to come from size alone.
It can also come from precision, from teams that are tightly aligned, strategically focused, and built to move fast without losing the plot.
View this post on Instagram
The most successful independents didn’t win because they emulated their larger peers.
They won by leaning into what made them different: clarity of vision, a deep understanding of their category, and an unapologetic focus on outcomes.
These weren’t one-size-fits-all campaigns. They were sharp, specific, and designed to deliver.
For agencies and brands looking to find similar success, the roadmap is clear:
Narrow your focus to amplify your impact. The agencies that won big weren’t generalists. They were specialists with sharp edges.
Tie creativity to business results. Emotional storytelling is table stakes. If it doesn’t drive an outcome, it doesn’t get traction.
Move with clarity to make small teams work. Fewer meetings. More doing.
Embrace constraints to unlock originality. The tighter the brief, the bolder the thinking.
The Shifting Ground Beneath Clients' Feet
One of the quiet undercurrents at Cannes was how brand marketers are starting to rethink their relationships with top creative agencies.
There’s real, well-earned fatigue around overstaffed teams, generic decks, and sluggish delivery. And when indie agencies are bringing in top-tier work without the bloat, clients start asking hard questions.
Why are we paying premium fees for common ideas?
Why do we need a global network for a campaign that needs speed, not scale?
It may feel like I’m overgeneralizing here, but the biggest agencies are structured for scale. Independent agencies are built for precision.
In an era where budgets are tightening but expectations are rising, precision becomes the edge that helps smaller agencies attract bigger clients.
That said, we expect more client-side CMOs to respond to all of this with action: cutting bloated retainers, reallocating budgets to nimble partners, and betting on agencies that can deliver without the theatrics.
What Comes Next?
For large networks and legacy players, the wins by small shops are more than momentary upsets. They’re signals of what clients want more of and what the creative economy is moving toward.
Here’s how the ripple effects are starting to take shape:
Client-side recalibration: Big brands are starting to treat awards season as R&D. If a 12-person team in Auckland can win a Grand Prix and move KPIs, what does that say about a $5 million retainer stuck in endless rounds of feedback?
Strategic verticalization: The most successful indie agencies didn’t generalize. They narrowed their focus. Expect more shops to go deep instead of wide — and do so unapologetically.
Awards as business tools: The best-performing campaigns were designed to drive results. The line between creative excellence and commercial effectiveness is vanishing, and the best agencies are already working in that space.
The takeaway isn’t that scale is irrelevant, but that precision beats size in a market hungry for clarity, speed, and impact. Agencies that want to stay competitive won’t need to get bigger. They’ll need to get sharper.
Slowly but surely, the creative industry’s center of gravity is shifting from holding companies with legacy processes to agile shops with sharp points of view.
From campaign scale to outcome specificity. From safe consensus to strategic bravery.
This shift isn’t theoretical. It’s measurable. It’s replicable. And it’s already rewriting briefs around the world.