- Article by
- Jermaine Dela Cruz




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- Agency: Ogilvy
- Client: Coca-Cola
- Category: Video Design — Brand
- Location: Windhoek, Namibia
- Project Brief: Craft a video telling a brand story through emotional storytelling, cultural relevance, and a reimagined anthem.
The original 1971 "Hilltop" commercial aired as the United States was dealing with Vietnam War protests, social upheaval, and a general distrust of government.
Ogilvy's "Drink in America" arrives at a similar inflection point and makes a similar bet: that a song about togetherness can cut through division. The difference is scale. This isn't one ad. It's a year-long campaign that anchors Coca-Cola's role as a signature partner of America250.
The film was shot across 10 states in 20 days. The footage alternates between two registers: wide landscape shots that establish place and tight close-ups that establish people. The brand video earns its three-minute runtime by never staying in one America for too long.
The song gathers 25 singers from diverse backgrounds across the U.S., recorded live in Los Angeles. The track blends blues, choir, and soul influences into a reworking of "I'd Like to Buy the World a Coke" that shifts the lyric from global to national: "I'd Like to Buy America a Coke."
The genre mix matters. For viewers of a certain age, it feels like a "Hilltop" flashback. For younger audiences, Coca-Cola wants it to feel fresh.
The production's smartest choice is what it doesn't do. It doesn't cast celebrities. It doesn't use CGI. It doesn't attempt a frame-by-frame reenactment of the 1971 original.
It trusts that ordinary faces, real locations, and a good song are enough to carry a three-minute brand video for a 250-year-old country.
Most anthem ads reach for spectacle. "Drink in America" reaches for familiarity. The bottle in every hand is the only product shot the film needs.

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