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Brainlabs Brainlabs

Polaroid - The Best of Summer Is Analog

The Best of Summer Is Analog Print Design
"The Best of Summer Is Analog" is a global billboard campaign that reinforces Polaroid’s commitment to real-world experiences and human connection. Featuring provocative messages placed in high-visibility locations, including a beach installation at Coney Island, the campaign encourages audiences to step away from screens and engage more fully with the world around them.
Polaroid ad on a subway platform above train tracks.
Subway billboard challenges data center water consumption
Multi-panel Polaroid ad on a graffiti-covered brick wall.
Street-level poster collage champions analog summer experiences
This website uses a colour palette of 4 colours
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Technologies & Tools
Description
Team Behind the Design
  • Agency: Brainlabs
  • Client: Polaroid
  • Category: Print Design — Billboards
  • Location: New York City, New York, United States
  • Project Brief: Create an outdoor campaign that promotes analog experiences and encourages people to disconnect from digital overload.

An effective billboard stops you with one thought, not a paragraph. Polaroid's Coney Island installation earns that with a single line: "Go jump in some water before the data centers drink it all up." It references a live technology debate and redirects it toward a beach, which is the right place to make that point.

The location is the design decision. Putting a billboard on sand at the start of summer, surrounded by people who have already chosen to be offline for an afternoon, turns the medium into the message. The copy does not need to work hard because the placement already did.

The wider outdoor system holds the same logic across London and New York. Lines like "You can't bask in blue light" and "Dance like nobody is recording" are written in the register of someone who has noticed something obvious that nobody says out loud. That tone travels across King's Cross, Bethnal Green and Hackney without needing a visual overhaul between placements.

What keeps the campaign from tipping into anti-tech preaching is the honesty in Polaroid's positioning. Creative Director Patricia Varella put it plainly: the brand is not anti-digital, it is pro-human. That distinction gives the billboard copy room to be provocative without feeling preachy, which is the hardest thing to get right in a campaign built around a cultural argument.

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