The New Yorker is an American magazine that publishes commentary, criticisms and reporting in essay, fiction, satire, cartoon and poetry form. It first began publishing content in 1925 and has grown to be one of the most powerful institutions in the United States with a strong following across the world.
It started as a weekly, in print publication. And that prestige and legacy still exist to this day. And one design element that has helped keep this magazine unique and intriguing is the clever cartoons and caricatures that line the pages and make for fascinating content to absorb.
These caricatures still exist today, adding a history and a heritage to the brand and further promoting its legacy of honor and substantial content.
You can see this in the masthead and in many different sections, with animations and cartoons making up story header images. And even on the website, there still sits a cartoon page where you can scroll through hundreds of cartoons going back years.
These cartoons are simple, elegant and engaging. They are perfectly modern and fluid, bringing the spirit of the magazine from print to the online world. And these animations help to show people that the brand hasn’t lost the integrity it has had since its first publication.
These caricatures are infamous, and they are immediately recognizable. Readers see them and instantly know that they are synonymous with the New Yorker. They’re a powerful tool for brand identity and help solidify this magazine’s place in mainstream culture for years to come.
When you land on the page, you’re instantly struck with a minimal and clean organizational pattern and layout. The site is made up of striking headlines in its signature font, clean white space and condensed blocks of imagery to help lead users on a simple and efficient journey.
This minimalist aesthetic puts a spotlight on the headlines and the articles that they contain. And it eases confusion as you navigate from section to section and article to article.
It also aligns the brand as one that is modern, even though it has a history that goes back decades. It still knows what readers want in their content and in the overall feel of a website design.
This minimalist approach also matches the minimalism and layout of the magazine in its print form. There is a heavy emphasis on text with plenty of white space in and around it to make the reading experience peaceful and engaging.
The simplicity and elegance here makes reading fun and easy, and it encourages more visitors to dive into this content head first.
There are a lot of classic elements infused into this website that comes from the decades-old print publication. One of them is the clever caricatures. The other is the integrity and theme of the content that lines its pages. And another is this signature typeface that’s been around for years.
The font is an Irvin Typeface, named after its creator Rea Irvin. It encompasses all headlines, the nameplate and masthead.
It’s a bolded, serif font with thick lines and flowing curves, It’s dramatic and clean and eye-catching. And it captures the essence of the magazine and its years of service to its readers in a dynamic and intriguing way.
This typography really ties the design together in a subtle and enchanting way. It’s a simple element, but one that is instantly recognizable as that of the New Yorker, and one that carries with it a robust legacy.
Embedded in this site are simple, clean and elegant navigation tools in the form of a straightforward menu bar and headlines that take you from article to article. The overall decluttered layout ensures that the user experience is serene and engaging, and it starts right from the homepage.
The site’s masthead is placed top center and utilizes the magazine’s signature Irvin typeface. A simple animation reduces the size of the masthead as the user scrolls down and increases upon up-scroll.
This adds some depth and visual interest to the user without detracting from the content. Below the masthead is a sticky navigation bar, with clean and easy to understand buttons. Here, a “no-drop-down menus needed” approach, helps reduce clutter on the screen. Using just four colors — black, white, gray, and a touch of red—the site’s header reflects the dramatic use of minimalism that’s to come.
Here you can click on any of the menu options and go to a landing page that holds the content you’re looking for — whether it’s a cartoon, a poem, a short story or a piece of journalistic content.
The simple, sticky navigation bar makes perusing the site easy. But even without it, the cleanliness of this site makes for breezy reading.
The typography and whitespace design duo continue once the user selects content. The linked headlines serve as portals, taking the user directly inside of the magazine.
And these headlines ensure that there isn’t any unnecessary space wasted on more CTAs or menu bars. This website puts the focus on its content and even lets its content be the user’s guide.
The New Yorker site is clean and straightforward. The content is in full focus but is organized in a hierarchical way to ensure that users can access all of it with ease.
Upon scrolling, the user finds all of the content displayed within a clean, crisp, and clear grid structure. From the hero header image, content boxes reduce in size, thereby reducing all thumbnail images and text as the user dives into the scroll. This hierarchical structure is reflected in the typography of the site as well.
Story headlines are placed first, set in the Irvin typeface and double the size of the subtext. The site relies on powerful headlines to draw readers in, and it works. The use of white space here also works to frame the individual content, while making sure the page remains free of clutter.
And once you click on a story, the site places crisp columns of whitespace on either side of the text body, effectively creating a real magazine-on-the-screen user experience.
The structure of this design is extremely compelling and draws you in immediately.
The New Yorker is a life and culture magazine that first began as a weekly print publication in 1925. It was created by Harold Ross and his wife Jane Grant in the hopes of creating a humorous magazine that still had a rigorous and sophisticated backbone.
And their hopes were met, with the magazine growing in readership and popularity, publishing essays, cartoons, poems and short stories. Even today, you will see a mix of fiction and nonfiction in this magazine that gives it an elegant, yet authentic edge.
The magazine is no longer a weekly magazine but does publish 47 magazines a year. And matched with a comprehensive website that publishes even more content daily, the New Yorker is a proud publication with an extensive history and legacy of respect.
According to the Magazine:
In 1925, Harold Ross established The New Yorker as a lighthearted, Manhattan-centric magazine—a “fifteen-cent comic paper,” he called it. Today The New Yorker is considered by many to be the most influential magazine in the world, renowned for its in-depth reporting, political and cultural commentary, fiction, poetry, and humor. In addition to the weekly print magazine, The New Yorkerhas become a daily digital destination for news and cultural coverage by its staff writers and other contributors. In print and online, The New Yorker stands apart for its commitment to truth and accuracy, for the quality of its prose, and for its insistence on exciting and moving every reader.
The New Yorker has become one of the most iconic publications not just in the United States but across the world thanks to its brilliant mix of top-notch journalist reporting, clever satire and elegant and vivacious spirit.
And its website takes this nearly 100-year-old history and infuse it into an online platform that is sophisticated, enlightening and user-friendly.
The New Yorker is an internationally renowned magazine, best known for its singular view into contemporary pop culture and social issues. This is the magazine’s digital interface.
The magazine’s signature design elements — including its infamous use of caricatures and its irreplaceable Irvin typeface — are firmly rooted in the website design. But here, the traditional elements are brought to life with sleek animations, dynamic contrasts, and a strong minimal aesthetic, each of which creates a truly unparalleled UX/UI design.
The choice of typeface and the hierarchical design structure work to mimic the design flow of the actual magazine, while videos and photos enhance the content and increase user activity. But it’s important to note that videos and photos are used sparingly to ensure that the articles and stories remain the center focal point of this site.
This website looks and feels like its print counterpart, making for a stunning UX and creative website that is full of informative, engaging and spectacular content.
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